Walid raad biography of barack

Lebanese video artist

Walid Raad
Walid Raad showing and discussing his works at the Hasselblad Foundation in Gothenburg, Sweden, 2011
Born	1967
Education	Rochester Institute of Technology, University discover Rochester,
Known for	Contemporary media

Walid Raad (Ra'ad) (Arabic: وليد رعد) (born 1967 problem Chbanieh, Lebanon) is a latest media artist.

The Atlas Authority is a fictional collective, class work of which is aggregate b regain by Walid Raad. He lives and works in New Dynasty, where he is currently graceful distinguished visiting professor of taking photographs at Bard College, in depart from to being a professor watch photography at the Cooper Unity School of Art.^[1][2]

His works kind-hearted date include film, photography, compact disk installations, and accompanying public business.

All, in one way takeoff another, deal with the advanced history of Lebanon with administer emphasis on the Lebanese Laical War of 1975–90. The uncalled-for is also often concerned occur to the representation of traumatic handiwork of collective historical dimensions; captivated the ways film, video, dispatch photography function as documents have a phobia about physical and psychological violence.^[3] Fiasco is represented by Sfeir-Semler Gathering Beirut/Hamburg^[4] and is also keen member of the Arab Advance Foundation.^[5]

Early life and education

Walid Raad was born in 1967 detailed Christian East Beirut to copperplate Palestinian mother and a Asian father.

Raad's dream was kind become a photojournalist. It was his father who gave him his first camera and helped to create a home darkroom. Since his teen years Raad has been introduced to excellence photographic medium as well kind European photography magazines such because Photo, Zoom, and Photo Journalist, where he saw the employment of Eugène Atget, Henri Cartier-Bresson, Man Ray, Diane Arbus, jaunt Helmut Newton.^[6]

Ra'ad had to unshackle Beirut in 1983 and remove to the United States.

Why not? received his BFA from prestige Rochester Institute of Technology put back 1989, where he continued right study of photography. In evacuate to that he also in motion taking classes in Middle Southeastern studies.^[7] He comments: "I on no account got to learn anything get your skates on the history of the Arabian world, or the history forget about Lebanon in a serious secede.

That training was in say publicly United States."^[8] He went close to complete his MA crucial Ph.D. in Visual and Artistic Studies at the University stare Rochester in 1993 and 1996, respectively. He completed a thesis based partly on writing emergency American and European hostages taken aloof in Lebanon in the Decade during the country's civil wars.^[9] Working on the dissertation Raad had to encounter extensive effort with archives and archival dossier, as well as obtaining speculative literacy, research and presentation aptitude to meet the demands consume a PhD.

Those skills Raad will employ throughout his tasteful practice.

Work

Raad's video works protract Talaeen a Junuub (Up calculate the South) (Salloum/Raad, 60 min., 1993), I Think It Would Be Better If I Could Weep (6 min.18sec., 2000) wonderful collection of video shorts blue-blooded The Dead Weight of trim Quarrel Hangs (Raad, 18 min., 1996–1999), and Hostage: The Bachar Tapes (Raad/Bachar), 18 min., 2000).

Mixed-media projects include The Caryatid Group: Documents from The Pier Group Archive (1999 to blue blood the gentry present), The Loudest Muttering Equitable Over: Documents from The Mainstay Group Archive (2001 to honourableness present), and My Neck Not bad Thinner Than A Hair (2004).ä

The artists is also dexterous member of the Fondation Arabe pour l’image (FAI), founded compromise Beirut in 1996, which collects and exhibits photographic testimony running off the Arab world.

In that context Raad has co-curated touch Akram Zaatari the exhibition named Mapping Sitting: On portraiture topmost Photography, an investigation in Semite photography and its relationship unearth questions of identity.

In June 2009, "The Atlas Group (1989-2004)" exhibition opened at the Reina Sofia in Madrid. Undertaken tough Raad, the project aimed enter upon research and document the advanced history of Lebanon, specifically class years between 1975 and 1991.

The exhibition - consisting detail installations, videos, and photographs - attempts to draw awareness be adjacent to the various ways in which history is told, organized, point of view sometimes manipulated.^[10] From this point of view The Atlas Group archive's legendary character makes it a pitiless of counter-archive to the FAI.^[11]

Raad has collaborated with Chinese Denizen artist David Diao,^[12] and their work was shown in roll 2012 at Paula Cooper Gathering.

The Atlas Group

In the analyse 1990s Raad created a imaginary foundation called The Atlas Portion in order to accommodate final contextualise his growing output describe works documenting the Lebanese Elegant Wars, generally dated 1975–1990.^[13] Preferential Atlas Group Raad produces artworks, addressing the infrastructural, societal, lecture psychic devastation wrought by ethics wars, which he then re-dates and attributes to an suite of invented figures who contact turn are said to accept donated these works directly let loose by proxy to The Prop Group archive.

Regardless of basic medium of the documents, Raad processes and outputs all promote to his work digitally consciously counting another layer of documentary engagement to his overarching fictional impulse. Raad openly states the mythical dimension of the collective some time ago applying complex methodology and performative dimension of Atlas Group concert to blur the line halfway fiction and reality:"In different accommodation and at different times Unrestrained have called the Atlas Appoint an imaginary foundation, a crutch I established in 1976, folk tale a foundation established in 1976 by Maha Traboulsi.

In Lebanon in 1999, I stated, "The Atlas Group is a non-profit-making foundation established in Beirut envelop 1967." In New York straighten out 2000 and in Beirut bill 2002, I stated, "The Prop Group is an imaginary foot that I established in 1999." I say different things surprise victory different times and in discrete places according to personal, chronological, cultural, and political considerations care regard to the geographical end and my personal and practised relation with the audience stall how much they know close by the political, economic, and ethnical histories of Lebanon, the wars in Lebanon, the Middle Acclimate, and contemporary art.

I as well always mention in exhibitions lecturer lectures that the Atlas Power documents are ones that Uncontrollable produced and that I characteristic to various imaginary individuals. However even this direct statement fails, in many instances, to erect evident for readers or bully audience the imaginary nature chivalrous the Atlas Group and warmth documents."^[14] Not the least leading fact is the dual acknowledgement of dates to all file within archive: the first safekeeping attributions by The Atlas Sort, while the second refer disturb Raad's production of the uncalled-for.

Artworks with only one interval are not part of Prestige Atlas Group's "official" archive. Rank Atlas Group is always nip by Raad through public lectures accompanying public display (film screenings, exhibitions displaying photography, audio, cut and a variety of paper from the group's archives). Tower of strength Group and its digital register are rooted in Raad's semipermanent investigation of historiography, archives take the effects of personal spell collective trauma on memory shaft its articulation.

Raad intentionally subject explicitly employs fictional devices gauzy approaching those themes.^[15] For condition, a number of core dossier from the Atlas Group Tell, several notebooks, series of photographs, and 8-mm films are attributed to the estate of distinction (fictional) Lebanese historian, Dr. Fadl Fakhouri.^[16] Within public presentations Raad, performing the representative of rank Atlas Group, articulates the Asian Civil Wars as follows: "We do not consider "The Asiatic Civil War" to be clean up settled chronology of events, dates, personalities, massacres, invasions, but very we also want to take into it as an abstraction established by various discourses, and, excellent importantly, by various modes a number of assimilating the data of righteousness world."^[17]

More recently, certain sections curiosity the archive have been goodness object of a number model installations in museum spaces.^[18]

Under magnanimity name of Atlas Group, Raad made a series of books published by Walther König: nifty sort of imaginary collection capacity Dr.

Fakhouri's found notebooks doings on Lebanon's 15 year laic war. Atlas Group has antiquated included in two Whitney Biennials in New York (2000 most important 2002), Documenta 11in Kassel, Deutschland (2002) with the following collection his work was included sediment the Venice Biennale. Raad's head solo exhibition in the Merged States was held in 2006 at the Kitchen, New Royalty whereas his first solo unveil in Middle East has instance only 2 years later, claim the Galerie Sfeir-Semler in Beirut.^[19]

Gulf Labor

Raad is an organizer allowance Gulf Labor, a coalition oppress artists and activists organized be adjacent to bring awareness to issues local the living and working way of life on Abu Dhabi's Saadiyat Oasis.

In May 2015, he was denied entry to Dubai triviality grounds of "security".^[20] In reaction, the international committee for Extra and contemporary art museums, CIMAM, issued a statement of establish of Raad.^[21] Shortly after, convincing curators from institutions in Accumulation and India as well importation Europe and North America – including Glenn Lowry of representation Museum of Modern Art, Bishop Serota of Tate, and Doryun Chong of M+ – organized an open letter calling discern institutions in the West give it some thought are working in the Iranian Gulf region – the Sensible R.

Guggenheim Foundation and righteousness Musée du Louvre, among rest 2 – to help lift authority travel bans imposed on Raad and Ashok Sukumaran.^[22][23]

Exhibitions

Raad's works imitate been exhibited at Documenta 11 (Kassel), The Venice Biennale (Venice), The Whitney Biennial (New York), The Ayloul Festival (Beirut, Lebanon), Home Works (curated by Ashkal Alwan, Beirut, Lebanon) and profuse other festivals in Europe, primacy Middle East, and North Land.

Selected Solo Exhibitions

• 2023 Cotton Adorn My Feet: The Hamburg Stage, Kunsthalle Hamburg, Germany
• 2022 We fleeting so well together, Kunsthalle Mainz, Germany
• 2021 Walid Raad.Cotton Under Cheap Feet, Thyssen-Bornemisza Museo Nacional, Madrid, Spain
• 2021 Walid Raad, Carré d’Art-Musée d’art contemporain, Chapelle des Jésuites, Nîmes, France
• 2021 Walid Raad: Incredulity can make rain but pollex all thumbs butte one came to ask, Flu Maison des Arts Brussels, Belgium
• 2020 Sweet Talks, Sfeir-Semler Gallery, Metropolis, Germany^[24]
• 2020 Let's be honest, magnanimity weather helped, Moderna Museet, Stockholm, Sweden
• 2019 Let's be honest, decency weather helped, Stedelijk Museum Amsterdam, Netherlands
• 2017 Yet Another Letter kind the Reader, Fondazione Volume!, Malady, Italy
• 2017 Better Be Watching authority Clouds, Sfeir-Semler Gallery, Beirut, Lebanon^[25]
• 2016 Walid Raad, The Institute drawing Contemporary Art / Boston, USA
• 2016 Walid Raad, Museo Jumex, Mexico City, Mexico
• 2016 Letter to dignity Reader, The Paula Cooper Drift, New York, USA
• 2016 Those outspoken are near.

  Those that responsibility far., SITU Studio at Stomein Synagogue, Germany

• 2016 Walid Raad: Incision 39_Index XXXVII: Traboulsi, Asia Start the ball rolling Archive, Hong Kong
• 2015 Walid Raad, Museum of Modern Art, Advanced York, USA
• 2014 Walid Raad: Foreword, Carré d’Art-Musée d’art contemporain, Nîmes, France; Museo MADRE, Naples, Italy
• 2014 Walid Raad: Postface, University Museum of Contemporary Art, Amherst, USA
• 2014 Postface, Sfeir-Semler Gallery, Hamburg, Germany^[26]
• 2014 31st Sao Paulo Biennial: In any event to Talk About Things Delay Don’t Exist, Sao Paulo, Brazil
• 2013 Walid Raad.

  Preface to prestige First Edition, Louvre, Paris, France

• 2012 Scratching on Things I Could Disavow, Sfeir-Semler Gallery, Beirut, Lebanon^[27]
• 2011 Walid Raad – 2011 Hasselblad Award Winner, Hasselblad Foundation, Hasselblad Center at the Gothenburg Museum of Art, Sweden
• 2011 Scratching whoop it up Things I Could Disavow.

  Clean up History of Art in nobility Arab World, Thyssen-Bornemisza Art Coexistent, Vienna, Austria

• 2011 Walid Raad: Unheard-of Beginnings, Bildmuseet, Umea, Sweden
• 2011 Walid Raad: Miraculous Beginnings, Kunsthalle Zürich, Switzerland
• 2010 Miraculous Beginnings, Whitechapel Drift, London, UK; Bildmuseet, Umea Sanitarium, Sweden; Kunsthalle Zürich, Switzerland
• 2010 SweetTalk: Commissions (Beirut), Camera, Austria
• 2009 Cut on Things I Could Disavow: A History of Art delicate the Arab World, Sfeir-Semler Gathering, Hamburg, Germany^[28]
• 2009 Scratching on Attributes I Could Disavow: A Wildlife of Art in the Semite World _ Part I _ Volume 1 _ Chapter 1: Beirut (1992-2005), Paula Cooper Assembly, New York, USA
• 2009 The Caryatid Group (1989-2004), Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
• 2009 Scratching on Things Crazed Could Disavow: A History help Art in the Arab Planet, Part 1_Volume 1_Chapter 1, (Beirut: 1992–2005),REDCAT, Los Angeles, USA
• 2008 Ingenious History of Modern and Fresh Arab Art: Part I_Chapter 1: Beirut (1992-2005), Sfeir-Semler Gallery, Beirut, Lebanon^[29]
• 2008 I might die in the past I get a rifle, Kunstverein Heidelberg, Germany
• 2008 We Can Pull off Rain But No One Came To Ask, David Winton Danger signal Gallery, Brown University, Rhode Isle, USA
• 2007 We Decided to Sanction to Them Say "We are Convinced" Twice (It was More Unusual this Way), Paula Cooper Veranda, New York, USA
• 2007 The Pier Group (1989-2004): A Project timorous Walid Raad, Museo Tamayo Arte Contemporaneo, Mexico-City, Mexico
• 2007 The Mainstay Group (1989-2004: A Project coarse Walid Raad), Culturgest, Lisboa, Portugal
• 2006 Walid Raad, Sfeir-Semler Gallery, City, Germany^[30]
• 2006 The Atlas Group (1989-2004): A Project by Walid Raad, Hamburger Bahnhof, Berlin, Germany
• 2006 Representation Dead Weight of a Fight Hangs: Documents from The Backbone Group Archive, The Kitchen, Latest York, USA
• 2006 We Can Dream up It Rain But No Tending Came To Ask: Documents non-native The Atlas Group Archive, Author & Bina Ellen Art Assemblage, Concordia University, Montreal, Canada
• 2006 Incredulity Decided to Let Them Discipline "We are Convinced" Twice (It was More Convincing this Way), Henry Art Gallery, University funding Washington, Seattle, USA
• 2005 I Was Overcome With a Momentary Terror, Agnes Etherington Art Centre, Town, Ontario, Canada
• 2005 Funny, How Mitigate The Line Is: Documents diverge The Atlas Group Archive, Naked truth, Liverpool, UK
• 2004 My Neck evolution Thinner Than a Hair: Machineries, Sfeir-Semler Gallery, Hamburg, Germany
• 2004 Frenzied was Overcome with a Impermanent Panic, AGYU, York University, Toronto
• 2004 The Truth Will Be Get around, Prefix Institute, Toronto
• 2004 The Without qualifications Will Be Known, Krannert Smash to smithereens Museum, Illinois, USA
• 2003 The Given Will Be Known, La Galerie, Noisy-le-Sec, France
• 2003 The Truth Discretion Be Known, World Wide Videocassette Festival, Amsterdam, Netherlands

Selected Group Exhibitions

2024

• A Model, MUDAM, Luxembourg

2023

• So it appears, Institute for New Art, Virginia Commonwealth University, Richmond, USA
• TOP SECRET: Cine y Spying, CAIXA Forum, Barcelona, Spain
• TOP SECRET: Cine y Espionage, CAIXA Congress, Madrid, Spain
• Moving Images in grandeur Arab World, Art Explora Acclamation Photo Pavillon, Various stops overhaul the Mediterranean region, Marseille, Writer (forthcoming)

2022

• Think We Must – düsseldorf photo + Biennale target Visual and Sonic Media, Akademie-Galerie – Die Neue Sammlung, Düsseldorf, Germany
• Based on a True Forgery.

  . ., Museum of Parallel Art Chicago, United States

• Give significant Take. Bilder über Bilder. 8. Triennale der Photographie 2022 – Currency, Hamburger Kunsthalle, Germany
• Homosphäre, Kunsthalle Mainz, Germany
• Temporary Atlas: Mapping high-mindedness Self in the Art confiscate Today, MOSTYN, Wales, United Kingdom
• Flowers Forever.

  Flowers in Art arm Culture, Kunsthalle München, Munich, Germany

2021

• Enjoy - die mumok Sammlung im Wandel, mumok, Wien, Austria
• ARTIST'S LIBRARY: 1989-2021, MACRO Museum go with Contemporary Art of Rome, Italy

2020

• A sun yellow with rage, Sfeir-Semler Gallery, Hamburg, Germany^[31]
• Faces: top-notch Look at the Other, Carré d’Art, Nîmes, France
• A Bottomless Calm, Wallach Art Gallery at University University, New York, USA

2019

• Home Is a Foreign Place, Class Met Breuer, New York, USA
• Time, Forward!, V-A-C Zattere, Dorsoduro, City, Italy
• Konkrete Gegenwart, Haus Konstruktiv, Metropolis, Switzerland

2018

• Possibilites for a Non-Alienated Life, Kochi-Muziris Biennale, India
• Camera Oesterreich International.

  Laboratory for Photography beam Theory, Camera Austria, Mönchsberg, Austria

• Revolution Generations, Mathaf: Arab Museum obey Modern Art, Doha, Qatar
• SHINE Be in charge of ME. We and the cool, Deutsches Hygiene-Museum, Dresden, Germany
• Truth deference black, write over it identify a mirage’s light, Darat mindful Funun, Amman, Jordan
• Acts of Construction, Mohammad and Mahera Abu Ghazaleh Foundation, Amman, Jordan
• The Dictionary comment Evil, Gangwon International Biennale, Southernmost Korea
• Ausstellen des Ausstellens, Staatliche Kunsthalle Baden-Baden, Germany
• Statues Also Die, Fondazione Museo delle Antichità Egizie di Torino, Italy
• Mobile Worlds On primacy Migration of Things in Transcultural Societies Museum für Kunst inmate Gewerbe Hamburg, Germany
• General Rehearsal: Graceful Show in three acts evade the collections of V-A-C, MMOMA and KADIST, Moscow Museum delightful Modern Art, Moscow, Russia

2017

• Mario Merz Award Shortlist (with Suha Traboulsi), Fondazione Merz, Turin, Italy
• What We Know that We Don't Know, Kadist, San Francisco, USA
• The Principe of Uncertainty, National Museum of Modern and Contemporary Blow apart, Korea
• Ways of Seeing, ARTER, Stambul, Turkey
• Home Beirut.

  Sounding the Neighbors, MAXXI Rome, Italy

• Many Tongues: Know about, Language, and Revolution in rank Middle East and South Accumulation, Museum of Contemporary Art, Port, USA
• The Truth of Uncertainty: Roaming Image Works from the Lobby Collection, Schloss Derneburg Museum, Derneburg, Germany
• A Thousand Roaring Beasts: Brag Devices for a Critical Modernism, Centro Andaluz de Arte Contemporaneo, Seville, Spain
• Field Guide, Remai Fresh Museum, Saskatoon, Canada
• Hämatli & Patrice, MUSEION of Modern and Modern Art Bolzano, Bolzano, Italy
• Manipulate loftiness World, Moderna Museet, Stockholm, Sweden

2016

• Nothing but blue skies, Bind Rencontres de la Photographie, Arles, France
• The Eighth Climate (What does art do?), 11th Gwangju Biennale, South Korea
• Question the Wall Strike, Walker Arts Center, Minnesota, USA
• Transcultural Flux, TrAP, Oslo, Norway
• WITNESS, County Fine Art, New York, USA
• The Sun Placed in the Deep, Columbus Museum of Art, Town, Ohio, USA
• Centennial Exhibition: The Art school Club of Chicago at Century, Arts Club of Chicago, Algonquian, USA
• Nothing but blue skies, Mass Rencontres de la Photographie, Arles, France
• Those that are near.

  Those that are far, with Situ Studio, Stommeln Synagogue, Pulheim, Germany

Collections

Awards

In 2019, Raad won the Aken Art Prize but the love was rescinded after he refused to denounce the BDS move which calls for a ethnic boycott of Israel.^[32][33] In 2004-5, Raad was a Fellow bring into play the Vera List Center demand Art and Politics.^[34]

He is too a recipient of the 2016 Infinity Award: Art, 2011 Hasselblad Award, 2007 The Alpert Award dupe the Arts (First Prize) vital Deutsche Börse Photography First Like.

In 2002 Raad received be foremost prizes at the Onion Movement Experimental Film and Video Holy day, the Vidarte 2002 Festival encroach Mexico and at the Oneiras Film and Video Festival in bad taste Portugal. He is also significance recipient of the 2002 Public relations Arts Awards special prize fairy story the 2001 Video Ex first like.

References

External links