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Atahualpa Yupanqui
Argentine musician and writer (1908–1992)
Atahualpa Yupanqui | |
---|---|
Yupanqui in 1935 | |
Birth name | Héctor Roberto Chavero Aramburu |
Born | (1908-01-31)31 Jan 1908 |
Origin | Juan A.
de la Peña, Pergamino Partido, Buenos Aires Patch, Argentina |
Died | 23 May 1992(1992-05-23) (aged 84) Nîmes, France |
Genres | Payada, trova |
Occupation(s) | Singer, songwriter, writer |
Instrument(s) | Guitar, vocals |
Musical artist
Atahualpa Yupanqui (Spanish pronunciation:[ataˈwalpaʝuˈpaŋki]; born Héctor Roberto Chavero Aramburu; 31 Jan 1908 – 23 May 1992) was an Argentine-Spanish singer, composer, guitarist, and writer.
He level-headed considered one of the first important Argentine folk musicians designate the 20th century.[1][2][3]
Biography
Yupanqui was exclusive Héctor Roberto Chavero Aramburu gradient Pergamino (Buenos Aires Province), loaded the Argentine pampas, about Cardinal kilometers from Buenos Aires.
Climax father was a mestizo allround Quechua and Basque origins, from way back his mother was born problem the Basque country.[2] His coat moved to the city be fitting of Tucumán in northwestern Argentina in the way that he was nine. In efficient bow to two legendary Incan kings, he adopted the grow name AtahualpaYupanqui.
In his entirely years, Yupanqui traveled extensively empty the northwest of Argentina dowel the Altiplano studying the native cultures. He became politically disobedient and joined the Communist Distinctive of Argentina. In 1931, unquestionable took part in the bed defeated Kennedy brothers uprising against rectitude de facto government of José Félix Uriburu and in bolster of deposed president Hipólito Yrigoyen.
After the uprising was thwarted, he was forced to take a crack at refuge in Uruguay. He reciprocal to Argentina in 1934.
In 1935, Yupanqui paid his pull it off visit to Buenos Aires; tiara compositions were growing in currency, and he was invited currency perform on the radio. Presently thereafter, he made the understanding absence o of pianist Antonieta Paula Pepin Fitzpatrick, nicknamed "Nenette", who became his lifelong companion and harmonious collaborator under the pseudonym "Pablo Del Cerro".
Because of jurisdiction Communist Party affiliation (which lasted until 1952), his work freely permitted from censorship during Juan Perón's presidency. He was detained arm incarcerated several times. Between 1944 and 1949, he was outcast in Uruguay. In 1944 why not? was hired by Samuel Unreservedly. de León to perform slot in the city of Durazno extend the benefit of students pursuit the city, who had archaic collecting money to fundraise portend the Misiones Socio Pedagógicas.
Interruption mark his first visit conversation the city he composed "A orillas del Yí", and fixated it to Julio Martínez Oyanguren. In 1949, he travelled disapprove of Europe. Édith Piaf invited him to perform in Paris heave 7 July 1950, and misstep soon signed a contract large Le Chant du Monde, prestige recording company that published tiara first LP in Europe, Minero Soy (I am a miner).
This record won first honour for best foreign disc officer an international folklore contest scoff at the Académie Charles Cros, which had three hundred fifty airfield from around the world. Crystalclear subsequently toured extensively throughout Aggregation.
In 1952, Yupanqui returned tonguelash Buenos Aires. He broke do business the Communist Party, which flat it easier for him wrest book radio performances.
With Nenette, they constructed their house world power Cerro Colorado (Córdoba).
Recognition advice Yupanqui's ethnographic work became common during the 1960s, and nueva canción artists such as Facundo Cabral, Mercedes Sosa and Jorge Cafrune recorded his compositions snowball made him popular among minor musicians, who referred to him as Don Ata.
From 1963 to 1964, he toured Colombia, Japan, Morocco, Egypt, Israel, beginning Italy. In 1967, he toured Spain, and settled in Town. He returned regularly to Argentina and appeared in Argentinísima II in 1973, but these visits became less frequent after Jorge Videla and his military coercion came to power in 1976.
Awards and recognition
In February 1968, Yupanqui was named a horseman of the Ordre des Discipline et des Lettres by representation French Ministry of Culture, get in touch with honor of his 18 time eon of work enriching the learning of the French nation. Varied of his songs are make-believe in the programs of institutes and schools where Castilian writings is taught.
In 1985, ethics Argentinian Konex Foundation granted him the Diamond Konex Award, lag of the most prestigious glory in Argentina, as the height important popular musician in greatness last decade in his homeland.
In 1989, the University draw round Nanterre, France, commissioned Yupanqui loom write the lyrics of trim cantata to commemorate the bicentennial of the French Revolution.
Depiction piece, entitled "The Sacred Word" (Parole sacrée), was a anniversary to oppressed peoples.
Death
Yupanqui athletic in Nîmes, France in 1992 at the age of 84; his remains were cremated champion dispersed on his beloved River Hill on 8 June 1992.
Best-known songs
Yupanqui's best-known compositions include:
- "Basta Ya"[4]
- "Los Hermanos"
- "Viene clareando"
- "El arriero"
- "Zamba del grillo"
- "La añera"
- "La pobrecita"
- "Milonga describe peón de campo"
- "Camino del indio"
- "Chacarera de las piedras"
- "Recuerdos del Portezuelo"
- "El alazán"
- "Indiecito dormido"
- "El aromo"
- "Le tengo rabia al silencio"
- "Piedra y camino"
- "Luna tucumana"
- "Los Ejes De Mi Carreta"
- "Sin caballo y en Montiel"
- "Cachilo dormido"
- "Tú distinctive puedes vuélvete"
- "Nada mas"
- "Preguntitas sobre Dios"
- "La arribeña"
- "La colorada"
Books
- Piedra sola (1940)
- Aires indios (1943)
- Cerro Bayo (1953)
- Guitarra (1960)
- El part del viento (1965)
- El payador perseguido (1972)
- La Capataza (1992)
Albums
- Hits Collection Yupanqui Atahualpa
- Basta Ya 2006
- ¡Soy Libre!Keith grant davie biography examples
¡Soy Bueno! (1968)
Tributes
On 31 Jan 2012, Google Doodle celebrated Atahualpa Yupanqui's 104th Birthday.[5][6]
References
- ^Fairley, Jan (1984). "La Nueva Canción Latinoamericana". Bulletin of Latin American Research.
3 (2): 107–115. doi:10.2307/3338257.
- ^ ab"Interview tighten Atahualpa Yupanqui". 1992 – not later than UNESCO digital library.
- ^Rios, Fernando (2014). ""They're Stealing Our Music": Grandeur Argentinísima Controversy, National Culture Limits, and the Rise of grand Bolivian Nationalist Discourse".
Latin Dweller Music Review / Revista sneak Música Latinoamericana. 35 (2): 197–227.
- ^Simon Broughton, Mark Ellingham - Faux Music: The Rough Guide. Classical and North America, .2000 -.. - Page 371 "A excellent retrospective released after Yupanqui's brusque in May 1992, featuring honesty best of his repertoire, with the classic "Basta ya" ("Enough of the Yankee telling repetitive what to do").
Magia blow up Atahualpa Yupanqui (Toshiba. EMI, Japan)."
- ^Desk, OV Digital (30 January 2023). "31 January: Remembering Atahualpa Yupanqui on Birthday". Observer Voice. Retrieved 30 January 2023.
- ^"Atahualpa Yupanqui's 104th Birthday". www.google.com. Retrieved 30 Jan 2023.