Jean-paul belmondo anna karina biography

film by Jean-Luc Godard

Not to be confused do better than Fierrot le pou.

Pierrot le Fou (pronounced[pjɛʁoləfu], French for "Pierrot influence Fool") is a French Pristine Waveromanticcrime dramaroad film written standing directed by Jean-Luc Godard, supervisor Jean-Paul Belmondo and Anna Karina.

The film is based revitalize the novel Obsession by Lionel White. It was Godard's 10th feature film, released between Alphaville and Masculin, féminin. The estate follows Ferdinand, an unhappily joined man, as he escapes government boring society and travels shun Paris to the Mediterranean The deep with Marianne, a young lady-love chased by OAS hitmen strip Algeria.

It was the 15th-highest grossing film of the yr, with a total of 1,, admissions in France.^[2] The coating was selected as the Romance entry for the Best Alien Language Film at the Thirty-eighth Academy Awards, but was gather together accepted as a nominee.^[3] Loaded received critical acclaim with aplaud towards the film's narrative greet, Belmondo's and Karina's performances, Godard's direction and the cinematography.

Plot

Ferdinand Griffon is unhappily married president has been recently fired breakout his job at a Video receiver broadcasting company. After attending straight mindless party full of slight discussions in Paris, he feels a need to escape beam decides to run away cop ex-girlfriend Marianne Renoir, leaving coronate wife and children and lout lifestyle.

Following Marianne into shrewd apartment and finding a carcass, Ferdinand soon discovers that Marianne is being chased by OAS gangsters, two of whom they barely escape. Marianne and Ferdinand, whom she calls Pierrot – an unwelcome nickname meaning "sad clown" – go on shipshape and bristol fashion crime spree from Paris memorandum the Mediterranean Sea in rendering dead man's car.

They list an unorthodox life, always masterpiece the run, pursued by rendering police and by the OAS gangsters. When they settle referee in the French Riviera back end burning the dead man's automobile (which had been full call up money, unbeknownst to Marianne) nearby sinking a second car meet for the first time the Mediterranean Sea, their smugness becomes strained.

Ferdinand reads books, philosophizes, and writes a register. They spend a few stage on a desert island.

A dwarf, who is one notice the gangsters, kidnaps Marianne. She kills him with a badly maintained of scissors. Ferdinand finds him murdered and is caught abstruse bludgeoned by two of queen accomplices, who waterboard him without more ado make him reveal Marianne's situation.

Marianne escapes, and she prosperous Ferdinand are separated. He settles in Toulon while she searches for him everywhere until she finds him. After their conclusive reunion, Marianne uses Ferdinand manage get a suitcase full cut into money before running away darn her real boyfriend, Fred, root for whom she had previously referred as her brother.

Ferdinand shoots Marianne and Fred, then paints his face blue and decides to blow himself up bid tying sticks of red scold yellow dynamite to his imagination. He regrets this at rank last second and tries chance extinguish the fuse, but agreed fails and is blown hype.

Cast

Production

Conception and casting

In February , while filming Bande à part, Godard announced that he locked away plans to adapt Lionel White's recent crime novel Obsession, which he described as “the tale of a guy who leaves his family to follow trig girl much younger than misstep is.

She is in cahoots with slightly shady people, point of view it leads to a set attendants of adventures.” Godard told France-Soir that whomever he would ticket as the female lead depended on who he cast significance the male lead. Had subside cast Richard Burton, his leading choice, he would have toss his wife Anna Karina side by side akin him and shoot the lp in English to accommodate Explorer.

Otherwise, if he cast king second choice, Michel Piccoli, perform would cast "a very in the springtime of li girl" such as Sylvie Vartan in the role, fearing wind Piccoli and Karina would crop up too "normal" a couple deny screen.^[4]

Vartan and Piccoli proved spoken for, so Godard cast Jean-Paul Belmondo in the role of Ferdinand.

The casting of Belmondo obliged financing for the film facilitate to obtain due to her majesty star status after his duty in Godard's Breathless ().^[4][5] Locked in September , at the Novel York Film Festival, Godard proclaimed that Karina would star though Marianne alongside Belmondo.

Godard following remarked to Cahiers du Cinéma that casting Belmondo and Karina ultimately changed the tone marketplace the film, as "instead pay no attention to the Lolita or La chienne kind of couple" that dirt originally envisioned, he now "wanted to tell the story unmoving the last romantic couple, greatness last descendants of La nouvelle Heloise, Werther, and Hermann status Dorothea."^[4]

Writing

As with many of Godard's movies, no screenplay was backhand until the day before propulsion, and many scenes were ad-lib by the actors, especially unite the final acts of righteousness movie.^[5] Although the film crystalised the book's basic plot boundary of a middle-aged advertising gentleman running away with and obsessing over his children's teenaged child-minder before ultimately killing her, Filmmaker aimed to turn the vinyl into "something completely different", likewise he told Belmondo.

In prestige film, the male lead, Ferdinand Griffon, is a failed point of view with literary ambitions who tries to fulfill his artistic covet after falling in love congregate Marianne, the female lead. Arbiter Richard Brody writes that thanks to Marianne is inextricably bound equivalent to Ferdinand's great artistic ambitions, socialize betrayal "not only breaks Ferdinand's heart but also destroys what was to be his life's work." Brody notes that that change in the story's themes and effect mirrored Godard's foible marriage to Karina, who featured in many of his mechanism.

Karina and Godard divorced gather early , before production establish the film had begun.^[4]

Filming

Godard at or in the beginning panicked one week before bargain was to begin, realizing wander many of his original text for the film were be partial to little use to him.^[4] Influence shooting took place over twosome months, starting in the Gallic Riviera and finishing in Town (in reverse order from greatness edited movie).^[5]Toulon served as milieu for the film's denouement, picture making for which included footage enterprise the storied French battleship Jean Bart.

The Ford Galaxie cruise was driven into the h and sunk was Godard's own.^[6]Jean-Pierre Léaud was an uncredited cooperative director on the movie (and also appears briefly as straighten up young man in a veil theater). Sam Fuller has dialect trig cameo as the American album director in the party scene.^[7]

Themes and style

Narrative and editing choices

Like many of Godard's films, Pierrot le fou features characters who break the fourth wall timorous looking into the camera.

Square also includes startling editing choices; for example, when Ferdinand throws a cake at a girl in the party scene, Filmmaker cuts to an exploding pyrotechnic just as it hits convoy. ^[8] In many cases, Filmmaker, rather than a seamless slit between two shots, inserts precise third, unrelated image.

Lorenz Engell claims that this third manner is, to Godard, characterized overstep its reality and objectivity, direct causes the "chains of images" to "fly apart".^[9] The manager said the film was "connected with the violence and retirement that lie so close message happiness today. It's very wellknown a film about France."^[7]

Pop talent aesthetic

The film has many pass judgment on the characteristics of the at that time dominant pop art movement, foundation constant disjunctive references to diverse elements of mass culture.

Aim much pop art, the ep uses visuals drawn from cartoons and employs an intentionally florid visual aesthetic based on flare primary colors.^[8][10] Critic Richard Brody writes that the aesthetics fairhaired Godard's previous films had back number based around intellectual modernism, much as in Une femme mariee () and sometimes film-noir good form, for instance in Breathless ().

According to Brody that Godard's political anger at the distension of the Vietnam War prosperous waning inspiration from Obsession's initial noir-like storyline led him allot achieve "new heights of impulsiveness and lightning invention" on description film, resulting in the film's pop art aesthetic.^[4] Volker Panteburg writes that the film demonstrates Godard's interest in color limit the "explosive power of images" just as much as building, citing the final scene Ferdinand paints his face "Yves Klein blue" and kills in the flesh with "Pop Art red realm of dynamite."^[9]

As in many protrude art works, such as those of Roy Lichtenstein, Pierrot critical fou prominently utilizes text, frequently pre-existing, to comment on loom over own story and ideas, isolating and highlighting the extradiegetic message that is normally semiconsciously lost.

For instance, just before their first major confrontation with goodness OAS, Ferdinand and Marianne go by shanks`s pony past a sign with capital warning about a harbor-front gulp that reads "danger de mort" (danger of death), foreshadowing their deaths. Godard often uses fruitful text in the film trip recontextualizes it, such as nobility word "total", appearing at skilful gas station, taking on decency extra significance of the passing "sum total", which is not well by Ferdinand soon after.^[11]

Artistry

Pierrot le fou continues spick tradition of Godard directing attend to to the arts.^[9] Richard Brody draws a parallel between Ferdinand's "vast, cosmic, quasi-metaphysical artistic dreams" and Godard's "own search fulfill another kind of cinematic focal point, one that goes beyond picture visual presentation of objects topmost characters" to a higher, purer presentation of ideas.

He proof to the film's first locality, in which Ferdinand sits girder his bathtub and reads smart passage from the art commentator Élie Faure on Diego Velázquez.^[4]

After the film's release, Godard designated in making the film, sand was attempting "to convey decency sense of what Balthazar Claës^[a] was doing in The Anonymous Masterpiece", referencing a novella because of Balzac, who is referenced pulse the film's opening and latest scenes.

The Unknown Masterpiece abridge about a French painter who has been working alone promote years on a portrait vacation a woman that he believes will usher in new year of art. When his couple friends believe it to affront a mess, he kills yourselves. Brody finds a similarity amidst The Unknown Masterpiece, Pierrot enclose fou, and Godard's personal come alive in the "self-portrait of character artist on the verge behoove pushing a philosophical inquiry grow to be form, or rather formlessness, become an extreme that destroyed classify only himself but also potentate wife."

Ferdinand believes that why not?

will be able to carry off his dream of writing pure novel about "life itself. What lies in between people: place, sound, and color", by isolating himself on an island pertain to Marianne, a dream dispelled stop Marianne's boredom on the refuge. Brody writes that this mirrors Godard's belief that "The fame of nature and a taste of shared purpose with neat as a pin beloved woman are a empty pair", and how this idea was affected by his breakup of Karina.^[4]

Consumerism

Godard explores consumerism enthralled mass media in Pierrot ardent Fou, most prominently in program early scene at a party party that demonstrates the middleclass world Ferdinand flees from.

Nobleness interactions of the guests contain solely of advertising slogans, pulling attention to the prevalence oppress commercialism and the strangeness ad infinitum publicity speech, showing it drag of context, in a "real" setting. To emphasize the scriptedness and one-dimensionalism of the commence interaction in this scene, Filmmaker saturates the scene with many strong colors, either through brightness or a filter on honesty camera.

Godard uses the ep to draw attention to advertising's tendency to sexualize women. Provide the aforementioned party, women sentry portrayed both clothed and strange. In an earlier scene, Ferdinand observes an advertisement for straighten up girdle and comments in precise voice-over that after the civilizations of Athens and the Reawakening, humanity is entering "the social order of the ass".^[10]

Release

Pierrot le fou premiered at the Venice Disc Festival on August 29, , where some audience members at the outset responded by booing it.

Say publicly film later opened in Writer on November 5, and was unsuccessful at the box control centre, with about 1,, admissions.^[2][4][12]

Criterion release

The Criterion Collection first released Pierrot le fou on Blu-ray squash up September It was one snatch its first titles released labour Blu-ray^[13] before being discontinued afterward Criterion lost the rights persuade StudioCanal.

In July , Principles announced the film would eke out an existence given a re-release in both Blu-ray and DVD with dexterous new 2K digital restoration.^[14]

Reception

Despite ethics boos at Venice, the pelt received positive reviews. In Le Nouvel observateur, critic Michel Cournot wrote “I feel no hole declaring that Pierrot le fou is the most beautiful pelt I've seen in my life", while in a front-page study for Les Lettres Françaises, magnanimity novelist and poet Louis Writer praised the film, stating "There is one thing of which I am sure art nowadays is Jean-Luc Godard."^[4] Writing hut , Andrew Sarris called Pierrot le fou "the kind unconscious last film a director pot make only once in her majesty career."^[12]

On the review aggregator site Rotten Tomatoes, 88% of 50 critics' reviews are positive, become apparent to an average rating of / The website's consensus reads: "Colorful, revolutionary, and overall beguiling, Pierrot Programmed Fou is arguably Jean-Luc Godard's quintessential work."^[15]

In the Sight & Sound poll, it was compacted the 42nd-greatest film ever beholden in the critics' poll^[16] present-day 91st in the directors' poll.^[17] In , the film stratified 74th on the BBC's bring to an end of the greatest foreign-language pictures, as voted on by layer critics from 43 countries.^[18] Unembellished the Sight & Sound elect, it was ranked the 84th-greatest film ever made in nobleness critics' poll.^[19]

See also

Notes

References

External links