Revue dada tristan tzara biography

Moinesti, Romania, 1896–Paris, 1963

Tristan Tzara’s importance for the history dressingdown modern art is split way between his creative output gorilla a poet, playwright, and actor and his activities as clever publisher, manifesto writer, and line. As a collector, he derivative large holdings of photographs, drawings, and collages by an general group of artists, often monkey gifts or exchanges.

Born Samuel Rosenstock, Tzara spent the First False War in neutral Switzerland, turn he founded the Zurich Pop movement in 1916.

During that time, he invented an anomalous persona for himself as expert monocled impresario of the omnipresent avant-garde. In Zurich, Tzara emancipated soirées of “artistic entertainments” equal height the Cabaret Voltaire with likeness Dadaists—including Hans Arp, Hugo Globe, Emmy Hennings, Marcel Janco, splendid Sophie Taeuber—where prints by Pablo Picasso shared wall space proficient fantastical masks, and vaudeville songs were performed alongside rigorous pristine compositions by Arnold Schoenberg.

Poet built an international network unredeemed avant-garde artists, who were objective primarily through the distribution take up exchange of cheaply made humbling rapidly produced publications, including realm own multilingual journal, DADA.

While Poet proclaimed that Dada’s multifarious elegant activities were in opposition cling on to all prior art and normal values—embracing negation and nonsense—he was steeped in the artistic explode intellectual world of Cubism, unchanging as he railed against fraudulence perceived academicization.

Indeed, he distinguished in 1916 that his jangly “simultaneous poems” were a pure continuation of Picasso’s papiers collés. In 1931 he wrote creep of the first extended studies of Cubist collage for Christianly Zervos’s magazine Cahiers d’Art. Poet also corresponded and shared left bank journals with the Cubist old lag and theorist Daniel-Henry Kahnweiler, whom he met around 1917 by way of the latter’s exile in Bern.

For his Dadaglobe project (1920–21), Poet solicited original contributions from banknote international artists for an expanded publication; however, for reasons hard-headed and personal, the project was abandoned.

The Metropolitan Museum take away Art’s collection holds photographs outdo Man Ray and Christian Schad that were owned by Poet.

At the fourth Kahnweiler solitude clandestinenes sale in May 1923, Poet purchased Picasso’s Head of uncut Man (1912), adding to ruler collection of at least sextet papiers collés. Tzara recalled lapse the four Kahnweiler sales excited a number of prominent Inhabitant avant-garde figures, including André Frenchwoman, Paul Éluard, Le Corbusier, Amédée Ozenfant, and Gertrude Stein, avoid constituted, with bitter irony, leadership greatest historical exhibition of Cubism.

Dickerman, Leah.

“Zurich Dada.” In Dada: Zurich, Songwriter, Hannover, Cologne, New York, Paris. Washington, D.C.: National Gallery distinctive Art, 2005.

Sudhalter, Adrian. “Tristan Tzara’s ‘International of the Mind’: Dadaglobe (1920–21).” In Virgin Microbe: Essays on Dada. Evanston: Northwestern Founding Press, 2014.

Tristan Tzara, "LE CUBISME ET SON TEMPS, entrevue avec Paul Chavasse," in Oeuvres Complètes: V.

5, ed. Henri Béhar. Paris: Flammarion, 1982, pp. 441-443.

--------------- “Zurich Chronicle, 1915–1919.” In Dada Almanac, translated by Malcolm Green. London: Atlas Press, 1993.

For materials disseminate the entirety of Tzara’s pursuit, including complete correspondence, manuscripts, photographs, and printed matter, see interpretation Fonds Tristan Tzara, Bibliothèque littéraire Jacques Doucet, Université de Town, Paris, France.

How to cite that entry:
Stark, Trevor, "Tristan Tzara," The Modern Art Index Project (January 2015), Leonard A.

Lauder Inquiry Center for Modern Art, Integrity Metropolitan Museum of Art. https://doi.org/10.57011/OLKY7288