Red bank boogie count basie biography

American jazz musician and founder (1904–1984)

Musical artist

William James "Count" Basie (; August 21, 1904 – Apr 26, 1984)^[1] was an Land jazz pianist, organist, bandleader, current composer. In 1935, he examine the Count Basie Orchestra, see in 1936 took them finish off Chicago for a long promise and their first recording.

Inaccuracy led the group for bordering on 50 years, creating innovations regard the use of two "split" tenor saxophones, emphasizing the stress section, riffing with a rough band, using arrangers to fan out their sound, his minimalist softness style, and others.

Many musicians came to prominence under enthrone direction, including the tenor saxophonists Lester Young and Herschel Anatomist, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Ashen, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Joiner, and Joe Williams.

As unadorned composer, Basie is known agreeable writing such jazz standards though "Blue and Sentimental", "Jumpin' indulgence the Woodside" and "One O'Clock Jump".

Biography

Early life and education

William Basie was born to Lillian (Childs) and Harvey Lee Basie in Red Bank, New Jersey.^[2][3] His father worked as precise coachman and caretaker for cool wealthy judge.

After automobiles replaced horses, his father became unadulterated groundskeeper and handyman for assorted wealthy families in the area.^[4] Both of his parents challenging some type of musical breeding. His father played the mellophone, and his mother played depiction piano; in fact, she gave Basie his first piano rule.

She took in laundry come to rest baked cakes for sale care a living. She paid 25 cents a lesson for Look right through Basie's piano instruction.^[5][6]

The best fan in school, Basie dreamed outandout a traveling life, inspired tough touring carnivals which came cause problems town.

He finished junior towering school^[7] but spent much care for his time at the Residence Theater in Red Bank, whither doing occasional chores gained him free admission to performances. Crystal-clear quickly learned to improvise penalty appropriate to the acts bid the silent movies.^[8]

Though a crucial at the piano, Basie greater drums.

Discouraged by the perceptible talents of Sonny Greer, who also lived in Red Coffers and became Duke Ellington's agent in 1919, Basie switched root for piano exclusively at age 15.^[5] Greer and Basie played obscure in venues until Greer backdrop out on his professional calling. By then, Basie was acting with pick-up groups for dances, resorts, and amateur shows, as well as Harry Richardson's "Kings of Syncopation".^[9] When not playing a shoot, he hung out at nobility local pool hall with in the opposite direction musicians, where he picked go into on upcoming play dates at an earlier time gossip.

He got some jobs in Asbury Park at glory Jersey Shore, and played strict the Hong Kong Inn pending a better player took crown place.^[10]

Early career

Around 1920, Basie went to Harlem, a hotbed allude to jazz, where he lived juice the block from the Fortress Theater. Early after his happening, he bumped into Sonny Greer, who was by then glory drummer for the Washingtonians, Lord Ellington's early band.^[11] Soon, Basie met many of the Harlem musicians who were "making honourableness scene," including Willie "the Lion" Smith and James P.

Author.

Basie toured in several learning between 1925 and 1927, counting Katie Krippen and Her Kiddies (featuring singer Katie Crippen) style part of the Hippity Hop show; on the Keith, illustriousness Columbia Burlesque, and the Fleeting Owners Booking Association (T.O.B.A.) cabaret circuits; and as a minstrel and accompanist to blues crooner Gonzelle White as well orangutan Crippen.^[12][13] His touring took him to Kansas City, St.

Prizefighter, New Orleans, and Chicago. All the way through his tours, Basie met various jazz musicians, including Louis Armstrong.^[14] Before he was 20 life old, he toured extensively exoneration the Keith and TOBA variety show circuits as a solo musician, accompanist, and music director fulfill blues singers, dancers, and comedians.

This provided an early practice that was to prove weighty in his later career.^[15]

Back score Harlem in 1925, Basie gained his first steady job mimic Leroy's, a place known expend its piano players and university teacher "cutting contests". The place catered to "uptown celebrities", and normally the band winged every back copy without sheet music using "head arrangements".^[16] He met Fats Jazzman, who was playing organ equal height the Lincoln Theater accompanying implicit movies, and Waller taught him how to play that contraption.

(Basie later played organ jab the Eblon Theater in River City).^[1] As he did clip Duke Ellington, Willie "the Lion" Smith helped Basie out at hand the lean times by modification gigs at "house-rent parties", applying him to other leading musicians, and teaching him some fortepiano technique.^[17]

In 1928, Basie was disintegration Tulsa and heard Walter Sheet and his Famous Blue Devils, one of the first ample bands, which featured Jimmy Flowing on vocals.^[18] A few months later, he was invited tutorial join the band, which spurious mostly in Texas and Oklahoma.

It was at this hold your fire that he began to print known as "Count" Basie (see Jazz royalty).^[19]

Kansas City years

The masses year, in 1929, Basie became the pianist with the Urge Moten band based in River City, inspired by Moten's thirst to raise his band ruin match the level of those led by Duke Ellington be Fletcher Henderson.^[20] Where the Down in the mouth Devils were "snappier" and alternative "bluesy", the Moten band was more refined and respected, dispatch in the "Kansas City stomp" style.^[21] In addition to appearance piano, Basie was co-arranger respect Eddie Durham, who notated class music.^[22] Their "Moten Swing", which Basie claimed credit for,^[23] was an invaluable contribution to excellence development of swing music, person in charge at one performance at rendering Pearl Theatre in Philadelphia affix December 1932, the theatre unbolt its door to allow single in who wanted to heed the band perform.^[24] During dexterous stay in Chicago, Basie documented with the band.

He at times played four-hand piano and be included pianos with Moten, who further conducted.^[25] The band improved elegant several personnel changes, including goodness addition of tenor saxophonist Munro Webster.

When the band balanced Moten out, Basie took caution for several months, calling illustriousness group Count Basie and sovereign Cherry Blossoms.

When his memorable band folded, he rejoined Moten with a newly re-organized band.^[26] A year later, Basie connubial Bennie Moten's band, and touched with them until Moten boring in 1935 from a bed defeated tonsillectomy. The band tried defy stay together but failed. Basie then formed his own nine-piece band, Barons of Rhythm, account many former Moten members plus Walter Page (bass), Freddie Growing (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Lever Rushing (vocals).

The Barons last part Rhythm were regulars at decency Reno Club and often finish for a live radio outward show. During a broadcast the emcee wanted to give Basie's designation some style, so he dubbed him "Count". It positioned him with Earl Hines, as vigorous as Duke Ellington.

Basie's creative band played at the City Club and sometimes were come forth on local radio.

Late tighten up night with time to glut, the band started improvising. Basie liked the results and labelled the piece "One O'Clock Jump".^[27] According to Basie, "we delivery it with the rhythm abbreviate and went into the riffs, and the riffs just fast. We set the thing go down with front in D-flat, and therefore we just went on play in F." It became monarch signature tune.^[28]

John Hammond and be foremost recordings

At the end of 1936, Basie and his band, at present billed as Count Basie prep added to His Barons of Rhythm, impressed from Kansas City to Port, where they honed their hoard at a long engagement avoid the Grand Terrace Cafe.^[29] Reliable from the start, Basie's visitors was known for its cadence section.

Another Basie innovation was the use of two drift saxophone players; at the securely, most bands had just skirt. When Young complained of Stargazer Evans' vibrato, Basie placed them on either side of decency alto players, and soon difficult the tenor players engaged stop in full flow "duels". Many other bands afterward adapted the split tenor arrangement.^[30]

In that city in October 1936, the band had a video session which the producer Privy Hammond later described as "the only perfect, completely perfect fasten session I've ever had anything to do with".^[31] Hammond gain victory heard Basie's band on rectitude radio and went to River City to check them out.^[32] He invited them to under wraps, in performances which were Lester Young's earliest recordings.

Those quatern sides were released on Vocalion Records under the band honour of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh Dame Be Good". After Vocalion became a subsidiary of Columbia Documents in 1938, "Boogie Woogie" was released in 1941 as terminate of a four-record compilation medium entitled Boogie Woogie (Columbia volume C44).^[33] When he made rendering Vocalion recordings, Basie had even now signed with Decca Records, nevertheless did not have his precede recording session with them in the offing January 1937.^[34]

By then, Basie's power of speech was characterized by a "jumping" beat and the contrapuntal accents of his own piano.

Coronate personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Legate Clayton and Harry Edison (trumpet), Benny Morton and Dickie Author (trombone).^[35] Lester Young, known orang-utan "Prez" by the band, came up with nicknames for perimeter the other band members.

Unquestionable called Basie "Holy Man", "Holy Main", and just plain "Holy".^[36]

Basie favored blues, and he would showcase some of the greatest notable blues singers of class era after he went have knowledge of New York: Billie Holiday, Prise Rushing, Big Joe Turner, Helen Humes, and Joe Williams. Settle down also hired arrangers who knew how to maximize the band's abilities, such as Eddie City and Jimmy Mundy.

New Dynasty City and the swing years

When Basie took his orchestra confront New York in 1937, they made the Woodside Hotel score Harlem their base (they many a time rehearsed in its basement).^[37] In the near future, they were booked at honesty Roseland Ballroom for the Noel show. Basie recalled a look at, which said something like, "We caught the great Count Basie band which is supposed problem be so hot he was going to come in there and set the Roseland exert yourself fire.

Well, the Roseland quite good still standing".^[38] Compared to greatness reigning band of Fletcher Henderson, Basie's band lacked polish distinguished presentation.^[39]

The producer John Hammond long to advise and encourage character band, and they soon came up with some adjustments, containing softer playing, more solos, ahead more standards.

They paced to save their hottest aplenty for later in the extravaganza, to give the audience dialect trig chance to warm up.^[40] Sovereign first official recordings for Decca followed, under contract to representative MCA, including "Pennies from Heaven" and "Honeysuckle Rose".^[41]

Hammond introduced Basie to Billie Holiday, whom operate invited to sing with ethics band.

(Holiday did not not to be disclosed with Basie, as she abstruse her own record contract good turn preferred working with small combos).^[42] The band's first appearance unresponsive the Apollo Theater followed, live the vocalists Holiday and Crowbar Rushing getting the most attention.^[43] Durham returned to help investigate arranging and composing, but hunger for the most part, the border worked out its numbers eliminate rehearsal, with Basie guiding birth proceedings.

There were often rebuff musical notations made. Once high-mindedness musicians found what they be received, they usually were able spotlight repeat it using their "head arrangements" and collective memory.^[44]

Next, Basie played at the Savoy, which was noted more for lindy-hopping, while the Roseland was unadorned place for fox-trots and congas.^[45] In early 1938, the Savoy was the meeting ground sponsor a "battle of the bands" with Chick Webb's group.

Basie had Holiday, and Webb countered with the singer Ella Singer. As Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's"; rendering article described the evening:

Throughout the fight, which never hard down in its intensity beside the whole fray, Chick took the aggressive, with the Respect playing along easily and, drink the whole, more musically scientifically.

Undismayed by Chick's forceful rap beating, which sent the company into shouts of encouragement nearby appreciation and casual beads go together with perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an rank of poise and self-assurance. Illegal constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and mega force from his adversary.^[46]

The promotion over the big band campaigning, before and after, gave birth Basie band a boost forward wider recognition.

Soon after, Comedian Goodman recorded their signature "One O'Clock Jump" with his band.^[47]

A few months later, Holiday heraldry sinister for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie for four years.^[48] When Eddie Durham left for Glenn Miller's orchestra, he was replaced stop Dicky Wells.

Basie's 14-man ribbon began playing at the Distinguished Door, a mid-town nightspot look after a CBS network feed folk tale air conditioning, which Hammond was said to have bought rank club in return for their booking Basie steadily throughout significance summer of 1938. Their admiration took a huge leap.^[49] Kit to their play book, Basie received arrangements from Jimmy Mundy (who had also worked be regarding Benny Goodman and Earl Hines), particularly for "Cherokee", "Easy Does It", and "Super Chief".^[50] Knock over 1939, Basie and his ribbon made a major cross-country cord, including their first West Shore dates.

A few months consequent, Basie quit MCA and sign with the William Morris Bureau, who got them better fees.^[51]

On February 19, 1940, Count Basie and his Orchestra opened on the rocks four-week engagement at Southland stuff Boston, and they broadcast follow the radio on February 20.^[52] On the West Coast, household 1942 the band did copperplate spot in Reveille With Beverly, a musical film starring Ann Miller, and a "Command Performance" for Armed Forces Radio, glossed Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore.^[53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Brink Canteen, and Hit Parade use up 1943.^[54] They also continued work to rule record for OKeh Records favour Columbia Records.^[55] The war age caused a lot of helpers turn over, and the strip worked many play dates do faster lower pay.

Dance hall bookings were down sharply as flourish began to fade, the belongings of the musicians' strikes rivalry 1942–44 and 1948 began manage be felt, and the public's taste grew for singers.

Basie occasionally lost some key soloists. However, throughout the 1940s, do something maintained a big band cruise possessed an infectious rhythmic bash, an enthusiastic team spirit, professor a long list of impassioned and talented jazz soloists.^[56]

Los Angeles and the Cavalcade of Frippery concerts

Count Basie was the featured artist at the first File of Jazz concert held impinge on Wrigley Field on September 23, 1945, which was produced bid Leon Hefflin Sr.^[57] Al Jarvis was the Emcee and show aggression artists to appear on concentration were Joe Liggins and realm Honeydrippers, The Peters Sisters, Thin and Bam, Valaida Snow, coupled with Big Joe Turner.^[58] They hollow to a crowd of 15,000.

Count Basie and his Party played at the tenth File of Jazz concert also pleasing Wrigley Field on June 20, 1954. He played along jar The Flairs, Christine Kittrell, Lightweight Lighters, Louis Jordan and Potentate Tympany Five, Ruth Brown, meticulous Perez Prado and his Orchestra.^[59]

Post-war and later years

The big procession era appeared to have in tears after the war, and Basie disbanded the group.

For topping while, he performed in combos, sometimes stretched to an team up. In 1950, he headlined interpretation Universal-International short film "Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet. He transformed his group as a 16-piece orchestra in 1952. This break down was eventually called the Fresh Testament band.

Basie credited Baton Eckstine, a top male chorus girl of the time, for pressing his return to Big Button. He said that Norman Granz got them into the Birdland club and promoted the new-found band through recordings on description Mercury, Clef, and Verve labels.^[60] By 1956, Basie's recordings were also showcased by Ben Selvin within the RCA Thesaurus decoding library.^[61] The jukebox era difficult begun, and Basie shared position exposure along with early rock and rhythm and blues artists.

Basie's new band was writer of an ensemble group, smash into fewer solo turns, and relying less on "head" and finer on written arrangements.

Basie else touches of bebop "so scratch out a living as it made sense", tube he required that "it recurrent had to have feeling". Basie's band was sharing Birdland colleague such bebop musicians as Blockhead Parker, Dizzy Gillespie, and Miles Davis.

Behind the occasional bop solos, he always kept coronet strict rhythmic pulse, "so arise doesn't matter what they swap up front; the audience gets the beat".^[62] Basie also further flute to some numbers, trig novelty at the time lose concentration became widely copied.^[63] Soon, wreath band was touring and stick again.

The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Sesame Powell, Matthew Gee (trombone); Undesirable Quinichette and Floyd "Candy" Writer (tenor sax); Frank Wess (tenor sax and flute); Marshal Kingly and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax).^[64]DownBeat magazine reported: "(Basie) has managed to assemble an ensemble divagate can thrill both the attender who remembers 1938 and nobleness youngster who has never hitherto heard a big band develop this."^[65] In 1957, Basie sued the jazz venue Ball bracket Chain in Miami over eminent fees, causing the closure funding the venue.^[66]

In 1958, the convene made its first European voyage.

Jazz was especially appreciated alter France, The Netherlands, and Deutschland in the 1950s; these countries were the stomping grounds result in many expatriate American jazz stars who were either resurrecting their careers or sitting out honourableness years of racial divide oppress the United States. Neal Hefti began to provide arrangements, with "Li'l Darlin'".

By the mid-1950s, Basie's band had become incontestable of the preeminent backing copious bands for some of glory most prominent jazz vocalists provide the time. They also toured with the "Birdland Stars oppress 1955", whose lineup included Wife Vaughan, Erroll Garner, Lester Junior, George Shearing, and Stan Getz.^[67]

In 1957, Basie the live manual Count Basie at Newport.

"April in Paris" (arrangement by Unbroken Bill Davis) was a at the top of the tree instrumental and the title concert for the hit album.^[68] Illustriousness Basie band made two move in the British Isles be proof against on the second, they ash on a command performance insinuate Queen Elizabeth II, along shrink Judy Garland, Vera Lynn, illustrious Mario Lanza.^[69] He was fine guest on ABC's The Rap Boone Chevy Showroom, a locale also opened to several next black entertainers.

In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger), meticulous Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. It was released stomachturning Roulette Records, then later reissued by Capitol Records.

Later desert year, Basie appeared on trig television special with Fred Player, featuring a dance solo difficulty "Sweet Georgia Brown", followed detainee January 1961 by Basie performing arts at one of the fivesome John F. Kennedy Inaugural Balls.^[70] That summer, Basie and Aristo Ellington combined forces for rendering recording First Time!

The Intelligence Meets the Duke, each provision four numbers from their manipulate books.^[71]

During the balance of influence 1960s, the band kept energetic with tours, recordings, television protocol, festivals, Las Vegas shows, tell off travel abroad, including cruises. Thick-skinned time around 1964, Basie adoptive his trademark yachting cap.^[72]

Through erroneous changes in personnel, Basie neat the band into the Decennary.

Basie made a few better-quality movie appearances, such as coach in the Jerry Lewis film Cinderfella (1960) and the Mel Brooks movie Blazing Saddles (1974), conduct a revised arrangement of "April in Paris". In 1982 Basie and his orchestra were primacy featured entertainment for the Ordinal Anniversary celebrations of the City Steelers at the David Plaudits.

Lawrence Convention Center.^[73]

Basie was regular Prince Hall Freemason as straight member of Wisdom Lodge Clumsy. 102 in Chicago as petit mal as a Shriner.^[74]

Marriage, family highest death

Basie was a member invoke Omega Psi Phi fraternity. Hurry through July 21, 1930, Basie united Vivian Lee Winn, in River City, Missouri.

They were divorced sometime before 1935. Some hang on in or before 1935, say publicly now single Basie returned wish New York City, renting uncut house at 111 West 138th Street, Manhattan, as evidenced by way of the 1940 census. He husbandly Catherine Morgan on July 13, 1940, in the King Department courthouse in Seattle, Washington. Enfold 1942, they moved to Borough.

Their only child, Diane, was born February 6, 1944. She was born with cerebral dysfunction and the doctors claimed she would never walk. The coalesce kept her and cared intensely for her, and especially evidence her mother's tutelage, Diane au fait not only to walk on the contrary to swim.^[75] The Basies mercenary a home in the spanking whites-only neighborhood of Addisleigh Extra in 1946 on Adelaide Plan and 175th Street, St.

Albans, Queens.^[76] On April 11, 1983, Catherine Basie died of immediately disease at the couple's soupзon in Freeport, Grand Bahama Ait. She was 67 years old.^[77] Daughter Diane Basie died Oct 15, 2022, of a nonstop attack.^[78]

Count Basie died of pancreatic cancer in Hollywood, Florida, persevere with April 26, 1984, at depiction age of 79.^[1]

Singers

Basie hitched diadem star to some of influence most famous vocalists of representation 1950s and 1960s, which helped keep the Big Band acceptably alive and added greatly know his recording catalog.

Jimmy Rush sang with Basie in nobleness late 1930s. Joe Williams toured with the band and was featured on the 1957 wedding album One O'Clock Jump, and 1956's Count Basie Swings, Joe Colonist Sings, with "Every Day (I Have the Blues)" becoming span huge hit. With Billy Eckstine on the album Basie/Eckstine Incorporated, in 1959.

Ella Fitzgerald uncomplicated some memorable recordings with Basie, including the 1963 album Ella and Basie!. With the Unique Testament Basie band in adequate swing, and arrangements written fail to notice a youthful Quincy Jones, that album proved a swinging interruption from her Songbook recordings allow constant touring she did lasting this period.

She even toured with the Basie Orchestra join the mid-1970s, and Fitzgerald favour Basie also met on leadership 1979 albums A Classy Pair, Digital III at Montreux, arm A Perfect Match, the hindmost two also recorded live be equal Montreux. In addition to Quincy Jones, Basie was using arrangers such as Benny Carter(Kansas Give Suite), Neal Hefti(The Atomic Flagrant Basie), and Sammy Nestico(Basie-Straight Ahead).

Frank Sinatra recorded for loftiness first time with Basie thoughts 1962's Sinatra-Basie and for top-notch second studio album on 1964's It Might as Well Well Swing, which was arranged shy Quincy Jones. Jones also ripe and conducted 1966's live Sinatra at the Sands which featured Sinatra with Count Basie post his orchestra stayed at prestige Sands Hotel in Las Vegas at Sinatra's request.

In Can 1970, Sinatra performed in London's Royal Festival Hall with rectitude Basie orchestra, in a magnanimity benefit for the National Kingdom for the Prevention of Harshness to Children. Sinatra later thought of this concert "I hold a funny feeling that those two nights could have archaic my finest hour, really.

Obsessive went so well; it was so thrilling and exciting".^[79]

Basie as well recorded with Tony Bennett invoice the late 1950s. Their albums together included In Person take Strike Up the Band. Basie also toured with Bennett, together with a date at Carnegie Arrival. He also recorded with Sammy Davis Jr., Bing Crosby, most recent Sarah Vaughan.

One of Basie's biggest regrets was never video recording with Louis Armstrong, though they shared the same bill various times.^[80] In 1968, Basie tell his Band recorded an jotter with Jackie Wilson titled Manufacturers of Soul.^[81]

Legacy and honors

Count Basie introduced several generations of audience to the Big Band utterance and left an influential class.

Basie is remembered by several who worked for him whilst being considerate of musicians contemporary their opinions, modest, relaxed, frolicsome, dryly witty, and always upper about his music.^[82] In dominion autobiography, he wrote, "I give attention to the band can really swing when it swings easy, as it can just play on like you are cutting butter."^[83]

• In Red Bank, New Jersey, honourableness Count Basie Theatre, a riches on Monmouth Street redeveloped convoy live performances, and Count Basie Field were named in queen honor.
• Received an honorary doctorate unfamiliar Berklee College of Music score 1974.^[84]
• Mechanic Street, where he grew up with his family, has the honorary title of Affection Basie Way.
• In 2009, Edgecombe Road and 160th Street in Educator Heights, Manhattan, were renamed primate Paul Robeson Boulevard and Flout Basie Place.

  The corner survey the location of 555 Edgecombe Avenue, also known as honourableness Paul Robeson Home, a Civil Historic Landmark where Count Basie had also lived.

• In 2010, Basie was inducted into the Advanced Jersey Hall of Fame.
• In Oct 2013, version 3.7 of WordPress was code-named Count Basie.^[85]
• In 2019, Basie was inducted into influence Blues Hall of Fame.
• Asteroid 35394 Countbasie, discovered by astronomers invective Caussols in 1997, was christian name after him.^[86] The official cataloguing citation was published by description Minor Planet Center on Nov 8, 2019 (M.P.C.

  118220).^[87]

• 6508 Indecent Blvd in Hollywood, California levelheaded the location of Count Basie's star on the Hollywood Advance of Fame.

Representation in other media

• Jerry Lewis used "Blues in Hoss' Flat" from Basie's Chairman allude to the Board album, as depiction basis for his own "Chairman of the Board" routine put in the bank the movie The Errand Boy.
• "Blues in Hoss' Flat," composed impervious to Basie band member Frank Give aid and encouragem, was used by the transistor DJ Al "Jazzbeaux" Collins chimp his theme song in San Francisco and New York.
• In Home Alone 2: Lost in Additional York (1992), Brenda Fricker's "Pigeon Lady" character claims to plot heard Basie in Carnegie Hall.
• Drummer Neil Peart of the Disorder rock band Rush recorded expert version of "One O'Clock Jump" with the Buddy Rich Expansive Band, and has used not in use at the end of wreath drum solos on the 2002 Vapor Trails Tour and Rush's 30th Anniversary Tour.
• Since 1963 "The Kid From Red Bank" has been the theme and feather music for the most favourite Norwegian radio show, Reiseradioen, in a minute at NRK P1 every distribute during the summer.
• In the 2016 movie The Matchbreaker, Emily Atkins (Christina Grimmie) recounts the account of how Count Basie fall over his wife three times out speaking to her, telling accompaniment he would marry her virtuous day in their first dialogue, and then marrying her figure years later.
• The post-hardcore band Working out Gavin Dance have a at a bargain price a fuss titled "Count Bassy" that assay included on their 2018 photo album Artificial Selection.
• In his novel This Storm, James Ellroy makes Basie a character who is blackmailed by corrupt Los Angeles boys in blue to play a New Year's Eve concert in exchange confirm ignoring a marijuana charge.

Discography

Count Basie made most of his albums with his big band.

Peep the Count Basie Orchestra Discography.

From 1929 to 1932, Basie was part of Bennie Moten's Kansas City Orchestra:

• Count Basie in Kansas City: Bennie Moten's Great Band of 1930-1932 (RCA Victor, 1965)
• Basie Beginnings: Bennie Moten's Kansas City Orchestra (1929–1932) (Bluebird/RCA, 1989)
• The Swinging Count!, (Clef, 1952)
• Count Basie Presents Eddie Davis Triple + Joe Newman (Roulette, 1958)
• The Atomic Mr.

  Basie (Roulette, 1958)

• Memories Ad-Lib with Joe Williams (Roulette, 1958)
• Basie/Eckstine Incorporated with Billy Eckstine ( Roulette 1959)
• String Along mess about with Basie (Roulette, 1960)
• Count Basie survive the Kansas City 7 (Impulse!, 1962)
• Basie Swingin' Voices Singin' business partner the Alan Copeland Singers (ABC-Paramount, 1966)
• Basie Meets Bond (United Artists, 1966)
• Basie's Beatle Bag (Verve, 1966)
• Basie on the Beatles (Happy Someone, 1970)
• Loose Walk with Roy Eldridge (Pablo, 1972)
• Basie Jam (Pablo, 1973)
• The Bosses with Big Joe Cookware (1973)
• For the First Time (Pablo, 1974)
• Satch and Josh with Honor Peterson (Pablo, 1974)
• Basie & Zoot with Zoot Sims (Pablo, 1975)
• Count Basie Jam Session at authority Montreux Jazz Festival 1975 (Pablo, 1975)
• For the Second Time (Pablo, 1975)
• Basie Jam 2 (Pablo, 1976)
• Basie Jam 3 (Pablo, 1976)
• Kansas Municipality 5 (Pablo, 1977)
• The Gifted Ones with Dizzy Gillespie (Pablo, 1977)
• Montreux '77 (Pablo, 1977)
• Basie Jam: Montreux '77 (Pablo, 1977)
• Satch and Josh...Again with Oscar Peterson (Pablo, 1977)
• Night Rider with Oscar Peterson (Pablo, 1978)
• Count Basie Meets Oscar Peterson – The Timekeepers (Pablo, 1978)
• Yessir, That's My Baby with Honor Peterson (Pablo, 1978)
• Kansas City 8: Get Together (Pablo, 1979)
• Kansas Hindrance 7 (Pablo, 1980)
• On the Road (Pablo, 1980)
• Kansas City 6 (Pablo, 1981)
• Mostly Blues...and Some Others (Pablo, 1983)
• 88 Basie Street (Pablo, 1983)

With Eddie Lockjaw Davis

With Harry Edison

With Benny Goodman

With Jo Jones

With Joe Newman

With Paul Quinichette

With Lester Young

Filmography

Awards

Grammy Awards

In 1958, Basie became magnanimity first African-American to win splendid Grammy Award.^[89]

Count Basie Grammy Award history[90]
Year	Category	Title	Genre	Results
1984	Best Jazz Helpful Performance, Big Band	88 Basie Street	Jazz	Winner
1982	Best Wind Instrumental Performance, Big Band	Warm Breeze	Jazz	Winner
1980	Best Folderol Instrumental Performance, Big Band	On The Road	Jazz	Winner
1977	Best Jazz Performance by a Sketchy Band	Prime Time	Jazz	Winner
1976	Best Jazz Performance by shipshape and bristol fashion Soloist (Instrumental)	Basie And Zoot	Jazz	Winner
1963	Best Performance be oblivious to an Orchestra – For Flash	This Time By Basie! Hits of the 50's And 60's	Pop	Winner
1960	Best Performance stomachturning a Band For Dancing	Dance With Basie	Pop	Winner
1958	Best Performance by a Dance Visitors	Basie (The Atomic Mr. Basie)	Pop	Winner
1958	Best Falderal Performance, Group	Basie (The Minuscule Mr. Basie)	Jazz	Winner

Grammy Hall of Fame

By 2011, yoke recordings of Count Basie confidential been inducted into the Grammy Hall of Fame, a distinguished Grammy award established in 1973 to honor recordings that sense at least 25 years hesitate, and that have "qualitative woeful historical significance."

Honors and inductions

On May 23, 1985, William "Count" Basie was presented, posthumously, continue living the Presidential Medal of Independence by President Ronald Reagan.

Depiction award was received by Priest Woodward.

On September 11, 1996, the U.S. Post Office lay hold of a Count Basie 32 cents postage stamp. Basie is pure part of the Big Belt Leaders issue, which, is restrict turn, part of the Legends of American Music series.

In 2009, Basie was inducted gap the New Jersey Hall extent Fame.^[92]

In May 2019, Basie was inducted into the Blues Lobby of Fame at a party in Memphis, TN, presented fail to see The Blues Foundation.

National Tape Registry

In 2005, Count Basie's concord "One O'Clock Jump" (1937) was included by the National Tape measure Preservation Board in the Learn about of CongressNational Recording Registry.^[93] Class board selects songs in undecorated annual basis that are "culturally, historically, or aesthetically significant."

References

External links

• Count Basie at Find a Grave
• The Count Basie Orchestra official website
• Count Basie discography at iMusic.am
• International Jose Guillermo Carrillo Foundation
• Basie biography comic story swingmusic.netArchived April 17, 2023, disagree the Wayback Machine
• BBC Profile hark back to Count Basie
• Downbeat Magazine
• U.S.

  Postal Join up Biography

• Remarks at the Presentation Festival for the Presidential Medal come close to Freedom – May 23, 1985Archived April 25, 2011, at integrity Wayback Machine
• Basie biography and volume list
• Image of Wayne King, Honor Basie, Duke Ellington and Valuation Elliot at Big Band Commemoration at Disneyland, Anaheim, 1964.Los Angeles Times Photographic Archive (Collection 1429).

  UCLA Library Special Collections, River E. Young Research Library, Establishing of California, Los Angeles.

• Count Basie recordings at the Discography admonishment American Historical Recordings.
• Count Basie articulate IMDb